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At the time when Thompson
set out to be a serious antique collector, the beautiful
antiquities of Southeast Asia were little known in the
west, except for within a small circle of art experts
and museums. In Thailand itself, such possessions were
within the realm of only a few wealthy Chinese families
and the nobility.
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Buddha
image, Ayutthaya School, 18th century
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The finest collections of local
art were to be seen either in the National Museum or
in the Buddhist temples. The rest were primarily kept
as objects, part of the family heritage, handed down
from generation to generation. These were more often
kept for sentimental reasons rather than out of real
admiration. Buddha images were regarded as sacred items
for worship so they were rarely purchased by Thais for
decorative purposes.
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Porcelain
from the Jim Thompson collection on a silk placemat
with a design of lotus blossoms and leaves. The
bowls on the left have hollow stems which can
be used like straws.
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The lack of consumer demand in those
days meant that shops in Nakorn Kasem, the Chinese quarter
of the city, were a gold mine of undiscovered and mostly
unwanted treasures. In fact when Thompson frequented
the shops in Nakorn Kasem, very fine pieces were available
for low prices to anyone having keen eye.
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A
carved wood panel,
Bangkok School,
19th century, depicting Phra Malai
in Indra's heaven where he is telling the faithful
what he witnessed in hell.
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As more and more former palaces
gave way to modern buildings featuring the Western architectural
style, their contents found their way to the shops.
Likewise farmers in the ancient capitals of Ayutthaya
and Sukhothai regularly unearthed much older pieces.
Most of Jim Thompson's acquisitions
were the result of his Sunday afternoon strolls along
the alleyways of Nakorn Kasem, and his trips to Ayutthaya.
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